With the dummy I can't comment too much as there were some movements there that were unfamiliar to my lineage.
But I will say that I would stop doing that inside Tan Sau and punching around the arm with your other hand.
This here, especially the bold part is of high importance. Im sure I dont need to remind anyone that a Wooden man is not a physical representation of an opponent but an energetic one.
Now we all know that the hand is faster than the eye. Professional baseball pitcher, Magicians, Sharp shooters all bank on this fact. That being the case then if one relies on eyes to track a hand to hand attack then eventually your eyes will fall behind. But your own hands wont. Especially if you use bridge contact and sensitivity channeled through a proper structure to deal with the incoming energy(attack). Your eyes become almost irrelevant. this is why we see a many blindfolded chi sao videos and demos.
As for this particular technique....it is one of my bread and butter ones. I am not punching 'around' the arm. I am using bridge contact and bridgewalking to take the space offensively on that arm and at the same time I am using 'chum'(sinking energy) with the tan sao on the inside to control the other arm. BOTH sides of my triangle are attacking structure, sinking, and scoreing. Double Arm Control is the concept that applies. Now stepping outside of the center is not incorrect, we do it often in the Muk Yan Jeong. But we also work on the inside as much as the out. But this was not the form. This was a drill. It will make more sense once I post me doing it on an actual attacking opponent.
However, in moving to the outside many find themselves 'flanking' and mostly only dealing with one arm. Flanking works and Im not knocking it ,BUT why do we do Chi Sao? And my personal opinion is if you are not controlling both arms then you have not fully realized the potential of Wing Chun. So although you describe the
physical appearance of the clip accurately, the actual ENERGY that was manifested remains unseen.
Later, as I bring my guys along (and as long as they are comfortable with it) we will demonstrate.
Now This was one heluva exchange! Thanks, Mook!
Another thing I will say is to try and keep in more contact with the arms of the dummy using economy of movement as you flow around the arms from one technique to the next , try to minimise the time that you are out of contact with the arms of the dummy.
Just let your arms pivot around the arms of the dummy so that the dummy arms are always being controlled , and try to project your elbow force into the dummy.
THIS I completely dig! Thank you. I bet this has a lot to do with sensitivity which I am sure we will talk a lot.