I also think that a lot of the anger and insecurity comes from the same reason why TKD is always, ALWAYS, identified as "The Korean martial art" - nationalism, ethnocentrism, and dare I say it - racism. What other style goes so far out of its way to identify its nationality or ethnicity? Or what other style makes such a concentrated effort to deny its actual roots because they happen to be connected to another group of people? It seems that the actual art of Taekwondo gets lost in all of this and the focus shifts to nationalism and ethnocentrism. What is wrong with just admitting the art's actual roots and practicing it for the love the art? Why get so heavily invested in another nation's struggle that you are not a part of, and why aid in nationalist and ethnocentrist agendas? I for one am secure in my TKD and don't need to deny the facts or try to change what I practice just because it was influenced by the "wrong" nation and/or ethnicity.
Beautifully put, SG, especially the part I've bolded. This is the part I find so perplexing. The thing Terry has alluded to several times in a number of threads is the we need to make TKD our own. Whatever role it has in Korea shouldn't, and can't, be the same role it has for us... we're not part of Korean culture or history, and what is meaningful and urgent to the people there is a kind of distant footnote, if that, in our own immediate experience. And vice versa.
I'm not saying that we don't connect with people in Korea at some fundamental level of humanity, where they were subject to horrible abuses by a military regime that carried out some of the most horrible war crimes in history. But that isn't the same thing, not by a long shot, as taking over the role of apologists for the ROK sporteaucrats and pocket-liners that are playing this kind of nationalist anthem for all it's worth (to them, which is a $$lot$$, apparently)...