C
Clive
Guest
I am not an authority on the System by any means but I will attempt to answer your questions.
1. If your initial reaction is to flinch then the System would say to use this as the basis for your movement.
2. That is the whole point of constant movement that the System promotes, you presume nothing, but respond to the situation, doing what you need to to neutralise the attack. The most obvious way of doing this is to move away from the potential danger, if this does not work you try to win psychologically, if this does not work then you engage. Once the engagement has finished you move away from the danger. At all times not only should consider other opponents, hidden weapons etc. but you must look at things that may be used as an advantage such as weapons on at the scene and people who may be able to help. I don't see how this is arrogant, just good sense.
3. I don't where there is an assumption, the System is based on movement. I would say that a lot of the main stream arts bear the real assumption, you must have heard 'if i do this you will do this' spoken in the dojo, what is this if not assumption. There is no invulnerabilty to it, but it is good to bear in mind that there must be a balance with confidence, too little will force you to think what you are going to do will not work and over confidence allows you to underestimate the opponent, the same balance applies to fear.
4. The point you made about das Clyde and 'even if' is very similar to the points that I have been making.
5. I agree, question everything
I hope these points answer any questions you have and hopefully will raise more and that you maintain your interest in this fascinating art. :cheers:
Clive
rmcrobertson said:1. why would I go study how to take advantage of my own more-or-less natural responses, like flinching, when I study an art whose oldest technique--"Intellectual Departure," relies on flinching naturally away from a kick?
2. if the attacker happens to be the kind of guy who won't let go, you're in trouble. But what if he ain't? What if he comes forward anyway? What if he yanks that arm back? What if he ducks and takes that pounch to the temple on top of his head? And that wrist-lock with the knife pointed up into your own armpit--I can think of six folks I have to train with, offhand, who will make you pay immediately for such an arrogance.
3. Yes, I understand that Systema folks just go on to the next thing. But what I find bothersome is that that "next thing," has a sort of assumption of invulnerability built into it--there're no checks, no "failsafe," components to the pictured reactions to attacks. Maybe Mr. Wheeler can make this work--but it looks too risky; it looks built on too many assumptions about what an attacker "must," do.
4. Kenpo, instead, goes with what das Clyde calls, "even if." With a sort of middle road approach that doesn't rely on everything going right every time, and doesn't require the perfection that can only come (if ever) a long way down the road...and kenpo argues (sorry to anthropomorphize) that even then, somebody really skilled will avoid having to be so all-fired perfect.
5. I have to add, too, that we all--let me repeat, we all--need to be a little careful about reasoning from authority, about magical thinking, about replacing analysis with slogans, etc.
1. If your initial reaction is to flinch then the System would say to use this as the basis for your movement.
2. That is the whole point of constant movement that the System promotes, you presume nothing, but respond to the situation, doing what you need to to neutralise the attack. The most obvious way of doing this is to move away from the potential danger, if this does not work you try to win psychologically, if this does not work then you engage. Once the engagement has finished you move away from the danger. At all times not only should consider other opponents, hidden weapons etc. but you must look at things that may be used as an advantage such as weapons on at the scene and people who may be able to help. I don't see how this is arrogant, just good sense.
3. I don't where there is an assumption, the System is based on movement. I would say that a lot of the main stream arts bear the real assumption, you must have heard 'if i do this you will do this' spoken in the dojo, what is this if not assumption. There is no invulnerabilty to it, but it is good to bear in mind that there must be a balance with confidence, too little will force you to think what you are going to do will not work and over confidence allows you to underestimate the opponent, the same balance applies to fear.
4. The point you made about das Clyde and 'even if' is very similar to the points that I have been making.
5. I agree, question everything
I hope these points answer any questions you have and hopefully will raise more and that you maintain your interest in this fascinating art. :cheers:
Clive