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In the 2006 film, Stranger Than Fiction, Harold Crick, a lonely IRS auditor portrayed (brilliantly!) by Will Ferrell, leads a humdrum life, precisely metered by his watch, and an almost Asperger’s-like relationship with numbers. He counts his toothbrush strokes; he counts cracks in the sidewalk; he counts tiles in the floor, and these are the sort of things that rule his existence until the day he awakens to hear his life being narrated, his each and every action being described by a voice only he can hear.
Harold is assigned to audit Ana, a socialist baker who simply refuses to pay the portion of her income tax that would go towards military spending. In the course of the movie, Harold tries to determine what sort of novel he’s in, and who is writing it, because one of the things that the narrator offers is that his death is going to be soon. Ultimately, Harold embraces the idea of his impending death, and embraces life.He learns to play the guitar, develops a closer relationship with his friend from work, and with Ana Pascal, the socialist baker. In a tender moment the night before he knows he is to die, he tells her that she can deduct the cost of the baked goods she gives to the poor, and offset the amount that she isn’t paying.
So, is this (really fun and well written) movie symbolic of the triumph of socialism, of the nanny state government taking care of the baker? Or is it a triumph of conservatism, of the tax-man getting the socialist to work with the system? Or is it a triumph of the idea of predestination and literary devices?
Or is it SIMPLY A GODDAM GOOD STORY SOMEONE MADE UP –MAYBEDOYOUTHINK?
Here's Harold Crick singing Wreckless Eric's Whole Wide World, and winning over Ana Pascal:
[yt]8jS7AD-lqwA[/yt]
Oh, yeah:......"discuss." :lfao:
Harold is assigned to audit Ana, a socialist baker who simply refuses to pay the portion of her income tax that would go towards military spending. In the course of the movie, Harold tries to determine what sort of novel he’s in, and who is writing it, because one of the things that the narrator offers is that his death is going to be soon. Ultimately, Harold embraces the idea of his impending death, and embraces life.He learns to play the guitar, develops a closer relationship with his friend from work, and with Ana Pascal, the socialist baker. In a tender moment the night before he knows he is to die, he tells her that she can deduct the cost of the baked goods she gives to the poor, and offset the amount that she isn’t paying.
So, is this (really fun and well written) movie symbolic of the triumph of socialism, of the nanny state government taking care of the baker? Or is it a triumph of conservatism, of the tax-man getting the socialist to work with the system? Or is it a triumph of the idea of predestination and literary devices?
Or is it SIMPLY A GODDAM GOOD STORY SOMEONE MADE UP –MAYBEDOYOUTHINK?
Here's Harold Crick singing Wreckless Eric's Whole Wide World, and winning over Ana Pascal:
[yt]8jS7AD-lqwA[/yt]
Oh, yeah:......"discuss." :lfao: