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They aren't talking about replica weapons, they are talking about stage weapons. Keeping stage weapons under lock and key the way the article reports makes almost as much sense as a football bat, almost.My friend has an actual replica katana from Japan...its tip is sharp, but the edge of the blade is dulled. This comes to mind when the article mentions "replica weapons"...other than the dulled edge, his replica is basically a real katana. Methinks the HSE needs to distinguish between such near-real replicas and basic toys, which at worst might pose a choking hazard to infants.
In other words, the HSE policies had a good idea (near-real replicas) that was taken ridiculously too far (plastic swords? c'mon.)
Stage weapons have killed and permanently injured people even on stage. Some actors will steal stage weapons and take them home and use them on themselves or others. It's no joke.
'It all seems a bit absurd, but it is a sign of the times.'
Uh, probably ancient Greece... hell, in all likelyhood UG and Gug used sticks when they entertained the rest of the cavemen...Hard plastic, eye injury. Wasn't theatrical swordsmanship invented in Elizabethan times?
That is a good and valid point. I wouldn't have a problem with this, had the troupe come up with the idea on their own. The Nanny state imposing it, however, is not a good thing.I don't have a problem with this, myself.
Treat all weapons as if they are real, and you'll be much less likely to mishandle the real (or more realistic) ones.
Try to run two sets of rules, and you'll just invite that "just one time" exception where the real weapon is left out "for a little while..."
I was 12 or so when he did that. I remember it quite well, because I loved the show, Cover Up, that he was on.Jon-Erik Hexum ... remember this guy? This was the event that led the performing arts department at my college to lock all stage weapons up.