Every TMA school I've been to acknowledges the physical effort, the need for actual sparring.... Obviously the intensity varies with the commercial demands of the clientele. Everyone is free to select a school that ranges from recreational Shotokan to full contact Shotokan or substitute another style such a Muay Thai to practice their karate skills on in a resisting, contact environment....
Shoto, that highlighted stated IMO its often, if not always, dictated not by the students in the gyms or dojos, but this is on the level of decision of instructors and organizations/associations... Mostly pre-stablished in a historical context by JKA (most notedly after master Gigos death). So its much more a historical impost thing than a matter of everyone is free for the choice...
In my posts i surely can agree with you and have said that the heavily sportive focus regarding the art effectivenes in SD will let it a lot in detrimental. But when you do your talk somewhat constantly bashing spar, kumite and matt thortons its like you are blaming people for that and making them looking bad and feeling miserable. IMO thats why you have being accused of extremist...
And the other thing i still didnt get its: If you talk so bad about kumite and spar why you do those like you told above ?
Maybe you will answer: But i do it using the mental dimension working... (wich i higly agree), but so, we can conclude that the more sportive aproach (spar,kumite) can have its benefits rite? in develop those...(wich i can agree too)...
So why the need to be constantly bashing those ?
Well, any serious student of traditional karate would realize the differing theorems of styles of producing power for marital purposes.... There are differences put forth in the external body mechanics alone.... Here IMHO, Shotokan generally tends to employ heavy physical force, heavy muscular action. I think Shotokan is at the extreme in this end, at least in the black-belt level curriculum. Other traditional karate styles employ less use of rigid physical force. Perhaps the "kime" vids you've posted advocate such examples.... I think so....
Yes you are right about that... Sensei rick hotton on those vids ive found by coincidence when i typed shuto uke in YT trying to illustrate someone performing the tech with the right kime...IMO too hes one living example of shotokan people using the right aproach that doesnt make them over rigid and tense movement exagerated. If anyone wanna know more info of him ill recommend this link wich i have found pretty good:
Shotokan Karate Magazine - Training with Rick Hotton Sensei in Manchester UK.
In 20 years from here where i started, i can see a sensible increase of the ammount of people in shotokan using that ''hard and soft'' physical-mental concepts in their practices... At least in my area/state that was not and still not very common... Thats why i regard the right aplications of those aspects being so special to me...As far as i know, those concepts were always in goju-ryu from their chinese roots...
I still see in here in a lot of shotokan dojos, instructors that can make people performs like living statues, all over rigid, contracted and over tense... I started my martial and karate practice in my childhood and ill tell you my understandment and comprehension were zero to could make something about that regard in those times...
Posting in here a preview of an informative link on that matter that could lead to mind blowing conclusions for those who wanna goes deep on that matter:
''So the younger students trained with contraction not because they were taught to do it this way, rather because they thought contraction was the right way to do strong techniques..
Yoshitaka (Gigo) Funakoshi sensei, O-sensei's son, took over the instruction in 1932, after
Takeshi Shimoda sensei died of influenza (Layton, 1997, Egami, 1976). Considering the fact he was very ill (tuberculosis and later lung gangrene) and actually living on borrowed time, he seems to have been very uncompromising and at times emphasized strong training. This together with a militaristic spirit that prevailed in the late thirties and the first half of of the 40's may have been the reason in part for the tense and staccato movements encountered within sports karate groups (contraction styles) nowadays.
In any case, research was begun by Master Shimoda, he started to develop low karate stances and continued by Yoshitaka Funakoshi with a small group of students, among them Shigeru Egami and
Genshin Hironishi (Layton, 1997; Cattel, 1989; Egami, 1973; Tokitsu, 199?). Karate-do evolved as a result of their discoveries, stances became more natural with respect to body mechanics and free from unnecessary tensions, this is clearly noticeable when we observe the front stance (
zenkutsu-dachi). Leg position is natural, without strange and uncomfortable twists, the hip and the torso is placed in half-facing position (hanmi) and the back leg is in a natural bent position. These types of changes were done to all techniques and new ones were also developed by Gigo Funakoshi sensei and his research group, such as mawashi geri, yoko geri kekomi, ushiro geri, ura mawashi geri, fudo-dachi, etc (Anonynous, 1983, Layton, 1997; Harada, 1983; Cattel, 1989; Noble, 1985).''
Source:
Another Way the way of non-tension relaxation in Karate-do