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rmcrobertson
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- Thread Starter
- #21
Wait, wait, wait. I read the first page, and now I get why this whole silly bit about names has come up. Mr. amk posted, as he has on kenponet, another of those posts about "real," vs. "motion," kenpo, topped with the usual disclaimer about not putting anybody down. He got called on it, and pretty effectively, so he brought up the issues of title, and of communication, in order to avoid discussing the issues raised around so-called, "motion," or, "commercial," kenpo. Good tactic.
In addition to other posts I've made on this subject, let me note this: it is based on the notion that Mr. Parker's "real," kenpo had nothing whatsoever to do with money. Interesting fantasy, considering the history of American kenpo. It dawns on me, too, that this is just the whole Mitose vs. Chow bit come round again.
I'll say it again: even before American kenpo appeared, there was the idea of "external," and, "internal," arts. That's what this stuff is, too, and quite worth debating. It's just that I was never taught to separate the two approaches. Sometimes ya hits 'em, and at times one employs the chi in all of its manifestations.
In addition to other posts I've made on this subject, let me note this: it is based on the notion that Mr. Parker's "real," kenpo had nothing whatsoever to do with money. Interesting fantasy, considering the history of American kenpo. It dawns on me, too, that this is just the whole Mitose vs. Chow bit come round again.
I'll say it again: even before American kenpo appeared, there was the idea of "external," and, "internal," arts. That's what this stuff is, too, and quite worth debating. It's just that I was never taught to separate the two approaches. Sometimes ya hits 'em, and at times one employs the chi in all of its manifestations.