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I started a thread yesterday because I'm considering Kuk Sool Won.
If I did Kuk Sool Won and they found out that I was involved in CMA would they actually kick me out?
I'm not planning on becoming a KSW instructor and I wouldn't go further in KSW than 2nd degree black belt.
They aren't blind.![]()
Whether they kick you out or not is irrelevant. If they find this out, no instructor will take you seriously and make no real attempts to teach you deeply. It would end up being a massive waste of your time, and if they let you stick around, also a massive waste of your money.
My recommendation is if you join a martial art, anywhere, give it your all, all of your available time, focus and energy. Maybe after 10 years, or so, you will begin to learn something valuable.
Good point. Even if they don't kick me out they could just stop helping me.
I appreciate your advice about MA in general but I have to tell you that a lot of high level instructors in CMA would not agree with your comments on cross-training. Not only have I not had a problem with cross-training in CMA but my instructors actually supported it. In fact it seems like a LOT of CMA schools at least want you to learn multiple styles within their own school. In the past a lot of CMA people cross-trained and even encouraged their students to cross-train. It's not something that is new in CMA. As far as KMA is concerned I can't comment because I have never done KMA.
It may best for me to just avoid KSW (and KMA) all together. If I study KSW in Korea I will either have to quit when I come back or face the possibility that I would be ignored by my teacher here when he or she finds out I'm doing CMA. That would be a huge waste of time and money.
I want to say thanks again to everyone who contributed to this thread. I think I'll do CMA (northern mantis or maybe Sip Pal Gi) when I'm in Korea. I appreciate KSW but I don't want to get involved with an organization or teacher that wants to restrict my ability to learn other styles.
My recommendation is if you join a martial art, anywhere, give it your all, all of your available time, focus and energy. Maybe after 10 years, or so, you will begin to learn something valuable.
If I haven't learned something valuable in the first two years something is deeply wrong with the teaching method.
(I said this in the other thread but I think it belongs here, so we can just stay here with it)
Really? So novice students are encouraged by their Chinese masters to enroll in a different style of martial art? That is the first I have heard of this. Please point me to some sources on this interesting practice among Chinese masters. Thank you.
What's a novice? I think that's where this will get tricky.
I'm not sure how to cite sources for you. I would put it this way - it seems to me that most CMA schools are teaching multiple styles and encouraging students to study multiple styles at some point. If you look around for kung fu or wushu schools in your area you will probably find that this is the case. So many people are teaching northern external styles plus baguazhang, xingyiquan, and taijiquan. That seems to be the most common set up. I guess the question is when do those teachers encourage you to get involved with another style. I would guess sometime in the first three years. I certainly don't think people are asking you to wait ten years before picking up another Chinese style. I've never heard of that and I know a lot of people and I've been around CMA for a long time.
In the book "Kung Fu Elements" Liang Shou-Yu talks about the value of studying many styles but I don't remember him putting a time frame on when someone should start another style. I can't speak for him but I can't believe he meant for people to train for 10 years in a style before going to something else. That's not how his school or my teacher's school (and my teacher co-wrote that book) run. They encourage you to cross train. No one ever said to me "don't do baguazhang because you don't have ten years in Emei & Shaolin yet."
In historical terms one example would be Gu Ru Zhang (Ku Yu Cheong) who encouraged his students (who were learning a type of Northern Shaolin called Er Lang Men) to study under Choy Lay Fut people.
In CMA people study many styles a lot more often than they study just one. I guess the question is when do people start picking up additional arts.
It depends on the school. If your school is set up to handle multiple styles, that's one thing. But a teacher who only teaches one style may not take it too kindly if you haven't gotten the basics down (i.e. solid beyond reproach) to trying something else.
Actually the students KYC & Tam Sam swapped were at the level I mentioned above and it was a worked out swap. It wasn't just a revolving door initially or even later. You had students afterwards that felt one suited them better than the other & swapped. You also had some that continued with both but with a preference for one over the the other. But it wasn't a revolving kitchen door between their two schools.
That's a question that's not answerable on a calendar but with a look inside.