Xue Sheng
All weight is underside
I was going to initially reply to your first post, but opted for this one, as it went more in depth. Speaking for myself only, I guess I'm split down the middle. I think that many times when someone says that "X" isn't in their art, its because they're looking at it from a different point of view. I'd say that there was no grappling in Kenpo, yet we have defenses for chokes, grabs and takedowns. Now looking at it face value, you won't see a set defense to escape the mount or any other grappling positions, yet after playing with some ideas and techs., I did find some applications. But it took work on my end.
Of course, you will have those that say that if you want to fight a grappler, you need to know how to grapple..plain and simple, if the traditional grappling methods were so good, how come they're not used in the ring. The list goes on and on and on.
I cross train for a few reasons, one being that I enjoy it and the other because I wanted to go more in depth in certain areas. A person I know used to use the term 'cross referencing' whenever we'd talk about the arts. I believe the point was not so much as throwing yourself into a totally new art, but instead to work with folks from other arts, and learn and understand how they operate. I don't think that we should have to throw away a move because someone else says it won't work or because they can't get it to work, but instead, look at the move and see how it can apply to modern times. In other words, take those takedown defenses from Kenpo, work them against a grappler, and tweak as needed.
I hope all that rant made sense.
Mike
It makes perfect sense and I agree. And I do not see anything wrong with cross training (in most cases) I just do not feel it is required if you want to be a complete martial artist.
As I said I train Taiji and I train Sanda but I do it because first the opportunities presented themselves and later I find I really enjoy both. And I still mess around with Xingyiquan and Wing Chun from time to time but that is mainly because I am a CMA addict and I just canĀt help myself :uhyeah:. But I will admit sometimes the views of confrontation these styles have do sometimes conflict and sometimes compliment.
But I have also trained other arts (JMA, CMA and KMA) but I did it because I really enjoyed training them or becuae they were there and I would still be training them if the schools were available and we had a 72.5 hour day, but since we don't I had to limit my addiction :ticked:.