You know, this leads to another angle, in my mind. Once, science and magic were kind of bundled together. Of course, science won out. Why? Because they did not engage in all of that secrecy, of course. They published their methods and findings, and knowledge then grew.
It will be the same way with the Martial Arts, I think. Instead of all of these occult aspects (the word "occult" just means "hidden" of course, that's all!), they will be explored, and shared.
I agree, 100%, and that's one of the reasons why I said earlier that I'm optimistic about the future of the MAs. The idea of public accountability under dispassionate scrutiny, the core ethic of science, is increasingly being extended to what was once the private, almost hermetically sealed domain of combat knowledge that the traditional MAs consisted of, at a time, and in cultures, where that kind of privately held knowledge still had authority. Today, in western culture, it doesn't; it has to pay its own way, by demonstrable success under testing (which is what laboratory experiments designed to challenge the predictions of hypotheses are all about). If the hypothesis wants to be taken seriously, it has to make testable predictions, and those predictions have to measure up to observation. We now expect the same thing from MAs that we expect from hypotheses in many other domains of knowledge: they have to measure up under testing. The good side is, an awful lot of traditional MA knowledge does turn out to be supported by sound combat principles, once these are thought through and sorted out.
There is so much good information coming out now, as evidenced by your last post, exile, that the tide is turning. Soon the day will come where knowledge of the fighting arts are freely dispensed, for all to enjoy. I myself find that to be the better way.
Right, this willingness to explore what was previously private knowledge, (tacitly held in trust by a small number of experts who insisted on unquestioning adherence to their system from even advanced students) will in the end, I believe, restore to the TMAs, with interest, the credibility that many seem to believe they've lost as a result of the McDojo/McDojang phenomenon, the excessive focus of many of the classical TMAs on their sport-competitive aspect at the expense of their combat application (which was once the lifeblood of their technical development) and other factors that have eroded their legitimacy in the eyes of their potential audience. Just as we are begining to demand the end of the mystifications that have led all kinds of recent MAs to claim totally unsupported lineages going back two millenia or more, based almost entirely on recycled wishful fantasy-thinking, we're also begining to demand solid justification for why we do what we do in the MAs. It's not just kata; it's basic stuff like, what are the pros and cons of the vertical fist, as vs. the standard twisting fist in karate and TKD/TSD. What are the anatomical arguments for the former, and for the latter? And so on. I think one of the primary signs of this kind of changed perspective is the existence of MartialTalk itself, where these kinds of questions arise and are chewed over from every possible angle.
Then again, I am not the kind of person who has the tolerance for the "popularity contest" way of the Teacher waiting until the student is "worthy" of being taught the deeper meanings -- I am middle aged after all, I would likely be dead before I could persuade a Teacher to go to the depths!
Exactly, this is right in line with what I was just suggesting about `private' knowledge. I think that that might have been acceptable as part of the kind of very hierarchical Asian cultures in which the TMAs originated, but once transplanted to North America and western Europe, our own quite different view about the (non)role of authority in justifying factual claims has led us to very different attitudes not just about training, but about how to think about, and evaluate, the technical content of what it is that we train.
I have been told by people who I believe know that Ed Parker's system has MANY hidden techniques -- every block is a strike, every strike is a block, a defense can be used for more than one attack, and so on.
This is completely in tune with the karate which was in no small degree ancestral to EPAK. Rick Clark, Simon O'Neil and others have argued that the basic, simple `down block' can be unpackaged in a number of ways, including: (i) an upward elbow strike as the combat application of the `chambering phase' of the block; (ii) a downward/spearing elbow strike as the initial part of the `downward blocking' movement of the fist; (iii) a hammerfist strike as the final phase of the `downward blocking' movement. On the other hand, a punch with the left fist with an associated retraction of the right need not be a punch. If the left fist is gripping the attacker's right ear or the right side of his head, and the right fist is gripping the attacker's left ear or the side of his head, or some other point of attachment on the head, the result of the forward movement of the left fist and the retracting movement of the right fist is... a potentially lethal neck twist. So the actual utilization of the kata movements as combat moves is far more versatile than people who take literally the standard `children's labelling', as Itosu called it, of kata movements understand. That's the main reason, I suspect, for much of the point/counterpoint that's gone on in this thread.
Its one thing to simplify the curriculum so that the student will not be overwhelmed. Its quite another thing to water things down just because the student must be deemed "worthy" to dive to the depths.
Perhaps the day is coming when the DEEP Martial Arts will be shared freely, as scientists freely share their information, rather than kept secret, as the magicians kept their knowledge!
I agree wholeheartedly with both of these paragraphs, and take a very hopeful view of the prospect you outline in the second one. And I suspect an increasing number of people are coming to share the same perspective you've sketched here.