So, you have never danced around string ideas together? It's all I do, when I have too much time on my hands.I can create a kata no problem I don't because I don't put myself in the same level as my teachers or their teachers.
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So, you have never danced around string ideas together? It's all I do, when I have too much time on my hands.I can create a kata no problem I don't because I don't put myself in the same level as my teachers or their teachers.
Ah, your last comment drives to the point, as does your first. There are many reasons for making a new kata, so the "understanding of .... why a kata is created" is something the creator of that kata decides. And most of those possible reasons have nothing to do with "fireworks and rainbows" and more to do with refining technique or improving transmission.Gpseymour,
Having seen countless videos, debates on various internet forums, and self proclaimed grandmasters creating kata majority of seeing are of a low caliber, lack of understanding of the how and why a kata is created. Modification and creating are two different wording. I do one particular way of circle walking that I have modified however, I still practice the traditional way, in Japanese arts we call it henka or variation.
If you want to create your own kata with fireworks and rainbows because you discovered something that the previous grandmaster due to his ignorance then great I don't care it's your business.
And that is my final comment to you Sir on that matter.
You do realize that pretty much everyone who ever created a kata was once someone's student, right? And creating those kata wasn't their way of saying, "Hey, look, I'm at least as good as the guy who trained me!" It was a tool they developed for teaching students. Someone has to build new tools from time to time.I can create a kata no problem I don't because I don't put myself in the same level as my teachers or their teachers.
Now that's a kata I'd enjoy making others do. Not me, of course. I don't HAVE any techniques I don't like.You can even group a bunch of techniques you don't like together, and call it your problem technique form. LOL
Now that's a kata I'd enjoy making others do. Not me, of course. I don't HAVE any techniques I don't like.
- Some people use kata as a way of training certain fundamental body mechanics and movement principles. Realistic application may be indeterminate, ambiguous, or even absent.
- Some people use kata to train techniques in an exaggerated manner, either to emphasize the underlying body mechanics or for exercise purposes.
Come on tez you have been here long enough to see how many people come on this site with creating their own style,own kata, own what ever and our laughed off the site. My how martial talk has become more of a joke since Bob left, no wonder he sold this site it has become pathetic.
If you want to create your own kata with fireworks and rainbows because you discovered something that the previous grandmaster due to his ignorance then great I don't care it's your business.
That's just inhumane, man.Or just do what my instructor does when he's feeling mean, by getting me to perform an entire kata in a low horse stance.
I read most of what's posted on the site. One reason I don't post more myself is that before I jump into a thread I read everything that others have already written and consider it a bit. That takes some time and then I only post if I think I have something to add that hasn't already been said better by someone else.You've been listening to me?
Or when he can make what I said sound intelligible.I read most of what's posted on the site. One reason I don't post more myself is that before I jump into a thread I read everything that others have already written and consider it a bit. That takes some time and then I only post if I think I have something to add that hasn't already been said better by someone else.
That is too wise, I like to read the topic, and just throw my opinion out there. It causes all kinds of problems.I read most of what's posted on the site. One reason I don't post more myself is that before I jump into a thread I read everything that others have already written and consider it a bit. That takes some time and then I only post if I think I have something to add that hasn't already been said better by someone else.
Sometimes I'm just rephrasing what other people have said in a way which I hope might make it clearer to some folks.Or when he can make what I said sound intelligible.
That is too wise, I like to read the topic, and just throw my opinion out there. It causes all kinds of problems.
Damnit, Tony, there you go again!Sometimes I'm just rephrasing what other people have said in a way which I hope might make it clearer to some folks.
Kata are fundamentally the same as a striking combination. I don't understand any comment here suggesting any sort of difficulty in making a good one.
They aren't really, kata are training movements. Think of them more as a predecessor of videos where kata show the movements possible as well as obvious. 'Acting out' kata as if you were fighting, following each movement one after the other is not the best way to look at kata, study the Bunkai and you will get a far better idea of what kata are for.Bunkai - Karate's forgotten 95% | Iain Abernethy
Not all (new) kata need be as deeply meaningful as those that already exist, though. A kata can be helpful if all it does is teach flow through a set of movements to let students practice transitions and balance.That could be because you only take them at face value rather than do the Bunkai.
Because most kata in modern times are done by self proclaimed grandmasters who do not understand the foundation of said art they are trying to say they practice.
I can create a kata no problem I don't because I don't put myself in the same level as my teachers or their teachers.
I'm not really convinced that the average knowledge/skill level of instructors and style founders was any higher at any point in the past than it is now. As far back as I can find reliable records, there have been people creating their own styles with less experience than most of the self-promoted "grandmasters" of today. It was also pretty common for those founders to be less than completely honest and accurate about their own background or the background of the arts they were promoting as well. Some of those systems have been very successful in the long run, some haven't.