If I may offer some input:
Korean martial arts (taekkyon, taekwondo, subakhi etc.) have been around in one form or another for at least 2000 years and are an integral part of Korean culture and identity.
YM, just try looking at some of the evidence, OK? There's a ton of it. And the evidence suggests that for almost its whole history KMAs have been derivative from CMAs. You're kind of begging the question when you refer to 'one form or another', because what this whole discussion is about is,
what were those forms, and when??. It makes a big difference—it's the whole point at issue! People have been
fighting for as long as humanity has been around, probably, but what were they 'using' to fight with? What was the population on the Korean peninsula actually
doing? That's what people are trying to examine in detail. Saying that 'Korean martial arts (taekkyon, taekwondo, subakhi etc.) have been around in one form or another for at least 2000 years' is like coming to an argument about whether Basque is related to the languages of the Caucasus and saying, 'Well, people in Europe have been talking for thousands of years.' By itself, it's a truism; the point at issue is, just
what were they talking?
They are bigger than one man and always have been. One man does not define the various arts and never has. Furthermore, they are by nature physical arts of the people of Korea. Meaning you can argue about articles and proof, this author said this, this book said that, until you're blue in the face. Your reducing the arts to something they were never meant to be.
What is the connection between these comments and the points at issue? I see this paragraph as a kind extended way of saying,
don't bring facts into it, I've made up my mind. No one is saying that one man defines the various arts, though Song Duk-ki comes about as close as you can; his relevance is the light his memoirs shed on the state of taekkyon during a certain critical time window. The fact that martial arts are physical arts is a part of the definition of 'martial art'; how is it relevant to the question? If someone claimed that the TMA of Korea was Pankration, and you challenged them, they could say exactly the same thing; exactly how would it be relevant to the discussion? And how is discussing the development of any given MA 'reducing' that MA to anything? Again, if I get into a debate with someone about whether Basque has any living relatives, am I 'reducing language to something it was never meant to be?' What am I reducing it
to?? You yourself are insisting on a particular history for TKD, one which involves taekkyon as a crucial element; I'm marshalling arguments and evidence for a different history. How is what I'm doing 'reducing' TKD any more than you are? That's like saying to someone who argues that the Mayans developed pyramids independently of the Egyptians, when you believe the opposite, that 'your problem is that you're turning pyramids into something they were never meant to be.'
My point for all this is this: Taekkyon may have been suppressed but it didn't die; just because one man may have been the most well known proponent of taekkyon doesn't mean he was the only one; an activity that is the property of the Korean people cannot be reduced to magazine or book articles and "he said" arguments.
I'm not reducing anything to books or articles. I'm applying specific bodies of information and knowledge
contained in books an articles to the problem of just what activities
were the property of the Korean people, and what the relationship is between those activities. And whether you like it or not, YM, there is actually a lot of evidence bearing on this point, which is not of the he said/she said variety. The origin of the
Muye Dobu Tong Ji in a work of Chinese military techniques written centuries before has been shown by a comparison between the two works, where the former is an almost word-for-word transliteration of the latter. The lack of any documentation for the technical content of the KMAs until almost a millenium and a half after the Three Kingdoms era isn't he said/she said: historians trained in Korean philology and archival research have combed through the surviving records and know what is, and is not in them. The fact that Song Duk-ki complained of not being able to find even one experienced taekkyon practitioner to assist in the famous demonstration before Syngman Rhee isn't he said/she said: who is saying that he actually
was able to find other practitioners?? The fact is, virtually none of the argument is of the he said/she said variety. You're using that formulation to refer to the fact that there are people on one side and people on the other side of the question, debating what happened. Very, very different. Way back when, Robert Millikan and Arthur Compton had a famous, acrimonious debate about the nature of cosmic rays: Millikan insisted that they were energetic photons, Compton argued that they were charged particles. Would you call
that kind of argument 'he said/she said'? Well, this is the same kind of debate. 'He said/she said' is when he said she cut him off in traffic and he rearended her car because he couldn't stop in time, and she says he was tailgating her and she had to slow down suddenly... and there are no witnesses. This is
hardly that sort of case, eh?
And articles about what Taekwondo or its forebears is or is not written by British karate students should be taken with a grain of salt. [/B]If I want to learn about aikido, best not to talk to kung fu students.
I know of exactly one British karate writer on MA history, Harry Cook. And you will notice, YM, that I have cited nothing by him. As I've pointed out to you several times already, my sources are MA historians who in many cases have extensive CVs in the KMAs. I've already brought this to your attention in another thread, after you made the same complaint there, and instead of supplying the names of the people you were referring to you chose not to respond. So now I'll do it again: what karateka in the list of well-documented historical sources that I supplied are British karate writers?
But your point is way wide of the mark in any case. Some of the best writing about Italian Renaissance art has been done by non-Italians. Some of the best work on European history has been done by non-Europeans. You seem to think that people assert claims about MA history on the basis of personal authority. Some do, but the ones whose arguments stick don't. They appeal to documented, available facts, and reasoning from those facts to the best conclusion. If Harry Cook were ever to get around to writing the history of TKD, at the level of his
Shotokan: A Precise History, I would be willing to bet that by the time he finished with it, we would know vastly more, and be on a vastly more solid footing, than we currently are after decades of ROK revisionist history.