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http://www.popmatters.com/pm/blogs/shortends_post/7831/short-cuts-forgotten-gems-scrooge-1970
At only 34 years of age, Albert Finney is absolutely brilliant in this film, giving perhaps one of his best Method performances. Some could confuse the occasional theatrics and desire to be even more direct with the role as over-the-top histrionics. But remember what was just said before—Finney was only thirty-four at the time he made this movie, and never once do we doubt Scrooge’s position, age, or resentment. Indeed, when we see the older and younger Ebenezer together during a Christmas Past flashback, we are taken aback for a moment by how startling the actor’s transformation is. Hunchbacked, barking his orders in bitter bon mots, and contorting his face in an attempt to hide all the hidden pain he is feeling, Finney is fabulous, the main reason why any fan of A Christmas Carol would want to visit this song-filled retelling. With a remaining cast that is equally adept at playing both the seriousness and the celebration of the story, you will probably not find a better performed version of this tale anywhere.
Another plus for Scrooge is its attention to terror. Other versions of the Dickens tale forget that it is supposed to be a ghost story, a spook show in which ethereal elements conspire to convert a penny-pinching soul. Instead of serving the spiritual aspects to heighten the horror, many of these miscues downplay the phantasms for a more syrupy, saccharine take. Thankfully, Scrooge avoids this silly soft soap to give their take on A Christmas Carol some spectral teeth. As the ghost of Jacob Marley, Alec Guinness is brilliant, bringing a resigned evil to the role of the messenger of the macabre. His Marley even manages to survive a forgettable song to guide the scared but surly grouch through a whirlwind of creepy spooks (the effects are very good for pre-CGI creations). Though the last act journey to Hell seems a tad out of place (obviously used to really get the message across about Scrooge’s afterlife fate), it is this decision to heighten, not hide, the horror that makes Scrooge such a sweet, substantive seasonal treat.
For me, Alastair Simm will always be the defining Scrooge...
exile said:but my second choice you don't have in your poll: the Muppet Christmas Carol with Michael Caine. How could you leave it out??? :wah:
I don't consider the Muppetts story a realistic version..I was dealing with LIVE actors
...Otherwise I'd have listed Mr Magoo's Christmas Carol...
Mr Magoo has a Christmas Carol version? And I missed it???
Well I for one love the musical version (1970 Scrooge) with Albert Finney in the title role and Alec (Obi-wan) Guinness as his partner (in life) Jacob Marley. While it's camp as far as the songs go... the story line and the ghosts are portrayed wonderfully by Edith Evans (past) and Kenneth Moore (present).
Mr Magoo has a Christmas Carol version? And I missed it???
Another classic performance. one of his finest
Well I for one love the musical version (1970 Scrooge) with Albert Finney in the title role and Alec (Obi-wan) Guinness as his partner (in life) Jacob Marley. While it's camp as far as the songs go... the story line and the ghosts are portrayed wonderfully by Edith Evans (past) and Kenneth Moore (present).
This is a snippet of a review of the movie... some very salient points made...
Then there's Scrooged with Bill Murray in the title character (well not actually the "title character since his character was called Frank Cross. But the Ghosts ... who can forget Carol Kane (past) and David Johansen (present) ?? Then the wonderful shotgun wielding "Honey, I'm home!" Eliot Loudermilk supurbly played by (arrraaahhgghh) Bobcat Goldthwait doing a modern day Bob Cratchit.