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Water principle - Joint lock - takedown - joint - ordering- lock -handcuffs
New video. Some of the blue belt techniques.
New video. Some of the blue belt techniques.
I recognize one of your techniques I'd call it Kotegaeshi
Remember, Hapkido traces its roots to Dai Ito Ryu. You might find many things in it you have practiced under another name.
That brings up a question that's been batted about before: what is "traditional"? Does that mean it's unchanged, or just that it has strong links to the traditions and roots of the art?Practical Hapkido is a modern style. A group of teachers (Hapkido and Taekwondo) developed this style for Hapkido, respecting history that has been influenced greatly.
Original Hapkido is rare today. Most Hapkido schools teach modern Hapkido, even though they claim to be a traditional school.
This video is the original Hapkido:
That brings up a question that's been batted about before: what is "traditional"? Does that mean it's unchanged, or just that it has strong links to the traditions and roots of the art?
Yeah, we’re on the same page on that. I just keep hearing discussions of traditional arts - what’s good and bad about them - and I often wonder how much of the chatter is caused by a difference in defining that term. I’m fairly certain most koryu students wouldn’t consider most of my training “traditional”, but most folks I trained with would.I don't mean this to speak for @Pentti, but for myself only.
I think as you no doubt know, that traditional is difficult to define: at what point does an art exist, and how much can it deviate from its origin and still claim to be traditional?
In my experience, Hapkido never doubted nor denied that it started from a Korean man who had studied MA in Japan, and returned to Korea after Word War II. It made some changes, mostly to incorporate a few more kicks, but that seems to have been it.
I don't know how much original Hapkido may have been removed, if any, nor how much TKD has been added. But it sounds interesting.
Practical Hapkido is a modern style.
Piffle. Hapkido is a modern style. Full stop.
Here we get back to the question of how people define "traditional" and "modern." Choi started teaching in 1948, so the most traditional form of Hapkido is no more than 70 years old. To some, that qualifies as modern.The traditional Hapkido (Yong-Sul Kwan and Jungkikwan) is the same as Choi taught. Modern style has added something new and left something out. I do not see any problem here. I hope that all Hapkido styles can live in peace and harmony with each other.
Here we get back to the question of how people define "traditional" and "modern." Choi started teaching in 1948, so the most traditional form of Hapkido is no more than 70 years old. To some, that qualifies as modern.
The traditional Hapkido (Yong-Sul Kwan and Jungkikwan) is the same as Choi taught. Modern style has added something new and left something out. I do not see any problem here. I hope that all Hapkido styles can live in peace and harmony with each other.
And leaves us with the question of when we stop using the term "modern" (which originally referred to a specific time period, hence "post-modern" was a useful term at one point) to refer to an art. In Japanese koryu circles, "tradtiional" tends to be used to refer to koryu arts and those that maintain the traditions from koryu (rough working definition). But what about those that maintain traditions from 100 years ago (well after the Meiji restoration)? If an art has a "reformed" or "updated" branch, "traditional" would seem a reasonable term for a different branch that maintains more of the traditions of the art nearer its point of origin.Here we get back to the question of how people define "traditional" and "modern." Choi started teaching in 1948, so the most traditional form of Hapkido is no more than 70 years old. To some, that qualifies as modern.
I can agree with that, but I don't think it is anything to get out of shape about. After all, how old is Aikido, TKD or TSD? I would be more concerned about how good the art is at what it claims to do.
And leaves us with the question of when we stop using the term "modern" (which originally referred to a specific time period, hence "post-modern" was a useful term at one point) to refer to an art. In Japanese koryu circles, "tradtiional" tends to be used to refer to koryu arts and those that maintain the traditions from koryu (rough working definition). But what about those that maintain traditions from 100 years ago (well after the Meiji restoration)? If an art has a "reformed" or "updated" branch, "traditional" would seem a reasonable term for a different branch that maintains more of the traditions of the art nearer its point of origin.