Earl Weiss
Senior Master
Pretty accurate except for some nominal information.at definition, grappling does not exist in TKD.
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Pretty accurate except for some nominal information.at definition, grappling does not exist in TKD.
Did he say that was part of a "TKD" curriculum or was it just something he decided to do? Did he do "TKD" or "TSD" as a Chung Do Kwan student of Won Kuk Lee?Duk Sung Son's tae kwon do had a bayonet (knife) form for senior grades back in the 70's.
I was just responding to your comment about mcdojos and nunchaku. There is no argument, just the point that many that do nunchaku are just doing the showy moves and not using it in the way it was intended (as may be seen in mcdojos) in traditional nunchaku kata, which is not so flashy. Even I think it's a little boring compared to other weapon forms. If not for the Bruce Lee movies few would even know about this weapon. No matter what style or art, I like to see things being taught properly and not as "show biz" so as not to cheapen it.I don't really see the point of this. I'm not arguing against it. I just don't know what you're arguing against.
Which ones? All of the current "Korean" arts are transplants, primarily from Japan.Many traditional KMA have weapons as well.
The TSD that I was taught in Korea has 3 bong hyungs required for Cho Dan, regardless of where it may have been transplanted from.Which ones? All of the current "Korean" arts are transplants, primarily from Japan.
It's a transplant, and it's arguably not a traditional art in any case.The TSD that I was taught in Korea has 3 bong hyungs required for Cho Dan, regardless of where it may have been transplanted from.
Everybody has their opinions.It's a transplant, and it's arguably not a traditional art in any case.
It may be traditional, just not to Korea. But then, didn't most arts wander place to place in MA history? I think an argument can be made either way based on the perspective being taken.It's a transplant, and it's arguably not a traditional art in any case.
It is traditional to Korea, if not then it would look exactly like its counterpart. All martial arts wandered, but became defined by the culture of the country that adopted it. It seems some believe that Korea had such an inferior culture that it didn’t have martial arts schools prior to the last occupation.It may be traditional, just not to Korea. But then, didn't most arts wander place to place in MA history? I think an argument can be made either way based on the perspective being taken.
It's less than 100 years old, and an import. It's difficult to call that a traditional Korean art.It is traditional to Korea,
It certainly did. None of them exist today. The Japanese did a very thorough job of suppressing them.if not then it would look exactly like its counterpart. All martial arts wandered, but became defined by the culture of the country that adopted it. It seems some believe that Korea had such an inferior culture that it didn’t have martial arts schools prior to the last occupation.
If you believe so. Typical western thinking that the Koreans just rolled over and didn’t continue to resist in secret. Just because a system incorporated effective techniques from an enemy country, then gave it a name that denotes the changes, doesn’t make it less than 100 years old.It's less than 100 years old, and an import. It's difficult to call that a traditional Korean art.
It certainly did. None of them exist today. The Japanese did a very thorough job of suppressing them.
So, you can provide some evidence to believe any of the original Korean arts survived?If you believe so. Typical western thinking that the Koreans just rolled over and didn’t continue to resist in secret. Just because a system incorporated effective techniques from an enemy country, then gave it a name that denotes the changes, doesn’t make it less than 100 years old.
If the systems were the same, then there wouldn’t have been any differences between the kwans and the schools in which they adopted techniques from immediately after their liberation.So, you can provide some evidence to believe any of the original Korean arts survived?
Because nobody else has.
I will stand by the statement that the form existed, and note that I cannot say what he said. It was part of the World Tae Kwon Do Association curriculum for higher (above 3rd degree?) black belts at the time; I saw it performed in 1978 and 1981, and I can't say more than that. While I know some higher ranked WTA people here in Los Alamos now, it's only socially, and I don't really care one way or the other about the art in its present form, so I haven't bothered asking any of them.Did he say that was part of a "TKD" curriculum or was it just something he decided to do? Did he do "TKD" or "TSD" as a Chung Do Kwan student of Won Kuk Lee?
The point being lots of "TKD" (However you define that being the first issue) instructors also trained in other arts incorporated those elements into their syllabus.I will stand by the statement that the form existed, and note that I cannot say what he said. It was part of the World Tae Kwon Do Association curriculum for higher (above 3rd degree?)
There was no difference between the (mostly) Japanese schools that the founders trained in and their initial teachings in Korea. Even the name they applied - Tong Soo Do - is nothing other than the Korean pronunciation of the Kanji characters for... Karate.If the systems were the same, then there wouldn’t have been any differences between the kwans and the schools in which they adopted techniques from immediately after their liberation.
I happen to disagree. Even visiting the MDK center in Seoul will show drawings, and occasionally photos, from the time period with text showing the differences both physically and philosophically. You can also learn how Taekkyon was preserved by being hidden in folk dances and Subak was hidden as a game. Both are why TSD is practiced differently than its foreign counterparts.There was no difference between the (mostly) Japanese schools that the founders trained in and their initial teachings in Korea. Even the name they applied - Tong Soo Do - is nothing other than the Korean pronunciation of the Kanji characters for... Karate.
It's not a good thing, but the reality is that there are no surviving indigenous Korean martial art system.
Feel free. But according to my KJN, who was actually THERE, there was no diference.I happen to disagree.
Piffle. I have a copy of the Muyejebo, which is what those pictures came from. About 0.05% of the book concerns unarmed combat.Even visiting the MDK center in Seoul will show drawings, and occasionally photos, from the time period with text showing the differences both physically and philosophically. You can also learn how Taekkyon was preserved by being hidden in folk dances and Subak was hidden as a game. Both are why TSD is practiced differently than its foreign counterparts.
Then we will have to agree to disagree.Feel free. But according to my KJN, who was actually THERE, there was no diference.
Piffle. I have a copy of the Muyejebo, which is what those pictures came from. About 0.05% of the book concerns unarmed combat.
The desperate attempts to link current Korean martial arts to historic Korean arts arose from an understandable desire to differentiate themselves from their Japanese oppressors. But even the KKW doesn't try to keep up the pretense.
Current Korean arts are, without exception, derived from Japanese (or to a lesser extent, Chinese) arts.
Again, if you have any actual evidence to suggest otherwise, feel free to present it.