- Thread Starter
- #21
Explorer said:It certainly did in antiquity ... in the modern era the techniques were non-existent. When my Sensei, Steve Lorbach, retired and asked me to take over the dojo I saw an opportunity to reach back to the classical art and, with his blessing, that's what we did.
Lacking any kyusho knowledge we went looking ... it was easy to find DKI, Yang, Zwing Ming and others to help us fill in the missing information. During that search I ran into an old friend from High School days ... Chris Thomas (writes the DKI books with George and heads the Kyusho Jitsu Kenkukai), ever since I've been working with him to restore kyusho and other compontnts to our art. I've had conversations with and acquired source material from the guys at KI as well.
Kyusho transcends ryu and crosses all artificial boundries between arts. For instance, I've used quite a bit of Yang, Zwing Ming's tuite and cavity press material for interpreting our kata. When I told Chris, he laughed and said he uses Yang for ideas too.
Which branch of Shorin are you training? I'm curious, because we may share many of the same kata. If so, it would be nice to make a connection. My dojang isn't so far away from the Twin Cities. And my teacher is located in St. Cloud. We've all been on the same journey...