Bit of a time slip I think. I had moved to Japan in 1980,Perhaps we have met! There werenât many South Asian (Indian) people in Kendo in the mid 80s. Errol (Blake now) is still around.
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Thatâs me hanging on Victorâs every word and Wilf Swindells, my Kendo teacher. That must be â86-â87. We drank so much and I was a very young man, so I spewed a lot that night
I first read it back in the 1970's At that time not practitioner. It's one of those books that if you go back to it over the years you find a deeper meaning in practice. To me Musashi's Dokkodo has more relevance. That's the one that leaders of the ryu study with a deeper Buddhist/Confucian meaning. Becoming the head of the ryu for many means more frequent visits to ones temple to study the deeping meaning of kanji that is used. The explanation of just one simple statement can take pages. One thing I have always like about Musashi was his dislike of arrogance and agenda monkeys. Those that were leaders in name only. He seems to have made the point of his duels to seek them out. Then of course his change from satsujin ken to katsujin kenHmmmm. I'm listening...
I also understand that sometimes there is more to be found in great texts than may have originally been intended by their authors. I know that is paradoxical and may sound absurd to absolutists. Understanding something deeply doesn't mean that others will accept your perspective. Imagine how rabbinical scholars view how evangelical Christians read Torah! Or what 18th Century "Founding Fathers" who authored the US Constitution would think of the arguments we have today. Contexts change and old writings are seen through different times, with different perspectives.
Allow me to use a much simpler example drawn from Wing Chun, the Chinese art I have spent a fair amount of time in. There is a well known kuen kuit or martial saying: Kuen yau sum fat or The punch comes from the heart. Within the context of my lineage and branch this has very specific meanings. But when read by non-practitioners it takes on a much broader meaning which can be extended well beyond the scope of the fighting arts. Some might deride this kind of over-generalization of interpretation as uniformed and ignorant.
Personally, I kind of feel the other way around. I find looking at things from multiple perspectives interesting, and if not "enlightening" then maybe a little "less darkening".
The underlined portion probably has a philosophical term that can be attached to it. That in itself probably means it's not important in the real world
. From a practical standpoint, what is useful, is. We have discussed at length that kata is a template from which techniques can be adapted to some several different applications with little or no modification. While the old masters may have had a particular application in mind, they would not have said that another school using the technique for the same or different application is wrong. In fact, they encouraged such flexibility. (quotes available). Being flexible is one of the main teachings in combat at any level in most any age. This is why the Roman maniple was superior to the Greek phalanx and why some military aircraft are favored over others.I agree with your view as it pertains to martial arts or combat in general. You have to forgive me, as I taught a college course in ancient texts, which is why I introduced this particular point of view. While some manuscripts are meant to be philosophical in nature, others are most definitely not. I have no position on this particular text, as I have not had the occasion to examine it. I am honestly just offering the point of view of different critical methods used to examine older texts.The underlined portion probably has a philosophical term that can be attached to it. That in itself probably means it's not important in the real world
Strategy is based on several factors: Environment, capabilities, and normal human reaction. Sun Tsu said something like, "Feint to the east, attack from the west." Is this a valid idea only for large Chinese armies? If a small French battalion used such a strategy, would he say the French major's application is wrong and not the true way? Even Musashi studied and no doubt adopted some of Sun Tsu's ideas. Strategists share a common body of knowledge. A strategy is not owned by any one entity. It is equally valid in debate, sales, boxing, football, etc. The principles of gravity are equally true of apples, rocks and spaceships. MA principles are like this. They are all designed for use against another human (most of whom have similar natural reactions to stimuli) and employ the same general biomechanics.
Like you, I understand Chris' point and his absolutism in the true Way of his particular style. It can be useful in its preservation as it currently exists. With respect to Chris and his extensive knowledge in his area of expertise however, such absolutism and strict fundamentalism in anything denies the existence of other thinking, including by the one who wrote about the subject! and there is risk of interpreting it in a too narrow view. There is more to anyone's thinking on a subject than can be written in a short manuscript. There may be thoughts unwritten that could influence its interpretation or being seen in a broader scope.
This is why I take a less rigorous view of Musashi's book, just as I do the Bible, and have no reservations of extracting lessons from them, even though I am not a swordsman of that school nor a Christian.
Can you please elaborate on what you say about Musashi's change of editorial voice?
He himself writes, "During my warring years I learned little. It was not until stopped killing that I had any kind of realization".
What he wrote about, his opinions and ideas changed with his ever-expanding experiences and of course advancing age. The person he was, when writing in Reigando toward the end of his life is not the same person he was when he was a 14 year old boy who brutally killed Arima Kihei.
Interesting, thanks for sharing.
Is this one of the ambidextrous paintings he did? I can't remember which ones.
I've been thinking about Musashi-sensei's ambidexterity for a few weeks now.
Well all this has been examined by Japanese art experts. I myself am not qualified enough to express an opinion on this. As to dual sword work as being ambidextrous. His waza has us using two blades in absolute unison and as one and not as separate entities. Bearing that in mind it's easy to notice fake attempts at "looking like Musashi".
