Goldendragon7
Grandmaster
:uhyeah:MisterMike said:Yea, it was written by Anonymous, not Unknown.
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:uhyeah:MisterMike said:Yea, it was written by Anonymous, not Unknown.
Sitting here trying to think of this visually it seems pretty tough without an instructor stepping you through the form. If that is in fact the correct directions on how the form works the transitions seem a bit tough. At least that's my opinion. :asian:KenpoNoChikara said:Oooohhhhh......must....print.....list....
Should I dare even ask if they practiced the form on the opposite side? :idunno:jbkenpo said:I've seen a version where it was done entirely on the right side only...
Well, if you are one of my students...... you would know what the answer is for my requirements.jfarnsworth said:Should I dare even ask if they practiced the form on the opposite side? :idunno:
:uhyeah: I already know the answer.Goldendragon7 said:Well, if you are one of my students...... you would know what the answer is for my requirements.
I am curious if you feel this way about short form 3 as well?kenpo3631 said:Why, why, why, would you practice Short Form Four on the left side? If you are going to do that, why don't you just practice Long Form Four and do both sides in the same form. Hey that's in a way like economy of motion
So what is your definition of economy of motion then?:idunno:kenpo3631 said:Why, why, why, would you practice Short Form Four on the left side? If you are going to do that, why don't you just practice Long Form Four and do both sides in the same form. Hey that's in a way like economy of motion
You still didn't answer my question earlier on short 3, isn't that the same as doing short form 4? What are you learning by doing short Form 3 only on one side?kenpo3631 said:My point is this, what new ideas or motion are you learning by doing Short Form Four?
In the same vain.... why did Mr. Parker only teach one side of Short From # 3 then?kenpo3631 said:Better yet if the forms build on one another then why didn't Mr. Parker include it in the syllabus of Kenpo and why is it being taught after Long Four as it is so customarily taught?
You still didn't answer my question earlier on short 3, isn't that the same as doing short form 4? What are you learning by doing short Form 3 only on one side?
Well, I don't know about the "Oh Mighty" business, but yes I did read your post but am not a code talker.kenpo3631 said:Oh mighty Goldendragon...did you not read my post?
Do you mean "ambidexterity"? I can't answer you on that one.... I don't know what you know or don't know or if you would gain anything from it.:idunno:kenpo3631 said:All I want to know is what if anything new would you gain from doing short form four on the left side besides ambideterity?
Geeze, now that you ask me that, I'm not sure I did learn all of what it had to teach, I would however, look forward to you someday sharing what you learned so I can compare notes.kenpo3631 said:Did you not learn what Long Form Four had to teach while learning it, what other info can an abbreviated version of this form teach?
I would agree with that.kenpo3631 said:I also posted that the forms build upon each other.
It is taught as an "option" not a mandatory part of the normal syllabus or curriculums from my recollection.kenpo3631 said:If the forms do build upon each other, why did EPK Sr. not teach it before Long Four?
Well thank you Lance, yes I did know him quite well, (still wish I would have had even more time with him), and no it was not out of character.... he made updates or changes all the time when he found value in something that might help someone in HIS system.kenpo3631 said:Mr. Parker was very methodical as you well know and for him to do this just seems too far out of character for him don't you think?
If you say so...... maybe he just screwed up or something and forgot to call you and ask ~ after all Ed Parker was the one that revealed it in the first place at the time and place of HIS choosing..... I never try to second guess him myself.kenpo3631 said:The "commercial" art was devised to follow a regimented pattern for the students to follow, to teach Short Four after Long Four is not logical or sequential.
Well then, there ya go. You have the answer.kenpo3631 said:I have heard of people asking him about why there was no short four or five and that he created them later to quell the masses so to speak.
Do you? Hmmmmmm, seems to me only "some" of the movements/techniques are done on the left but not ALL in Long Form 3, but then I would like you to share with me your views and understandings on this. I would be interested.kenpo3631 said:As far as short three on the left don't you pick up the left side of the motion when you do Long Form 3?
.Quote:
Originally Posted by kenpo3631
Did you not learn what Long Form Four had to teach while learning it, what other info can an abbreviated version of this form teach?
Geeze, now that you ask me that, I'm not sure I did learn all of what it had to teach, I would however, look forward to you someday sharing what you learned so I can compare notes
Quote:
Originally Posted by kenpo3631
If the forms do build upon each other, why did EPK Sr. not teach it before Long Four?
It is taught as an "option" not a mandatory part of the normal syllabus or curriculums from my recollection.
Quote:
Originally Posted by kenpo3631
Mr. Parker was very methodical as you well know and for him to do this just seems too far out of character for him don't you think?
Well thank you Lance, yes I did know him quite well, (still wish I would have had even more time with him), and no it was not out of character.... he made updates or changes all the time when he found value in something that might help someone in HIS system.
Quote:
Originally Posted by kenpo3631
The "commercial" art was devised to follow a regimented pattern for the students to follow, to teach Short Four after Long Four is not logical or sequential.
If you say so...... maybe he just screwed up or something and forgot to call you and ask ~ after all Ed Parker was the one that revealed it in the first place at the time and place of HIS choosing..... I never try to second guess him myself.