Seabrook
Black Belt
Rich_Hale said:Blinding Sacrifice (Front: two hand grab or choke)
Name: The name of this technique originates from two sources: (1) the blinding effect of your strikes to the eyes, coupled with (2) hugging your body up close to his body, which allows you to sacrifice the normal use of checks. Thus this technique has been given the name Blinding Sacrifice.
Theme: The name of this technique indicates its major theme. You surprise your opponent by stepping forward while incorporating your offense into your defense. The blinding effects of your strikes to the eyes physically occupy space, and mentally occupy your opponent's mind. By immediately shuffling into your opponent and hugging up to his body, you're able to sacrifice the normal use of checks. You then employ double strikes and blocks that are symmetrical.
Attack: In the Ideal Phase of this technique your opponent is to the front. He steps forward with his right foot as he grabs both of your shoulders with both of his hands (right hand to your left shoulder, and left hand to your right shoulder).
What if: He pushes with two hands.
He chokes with two hands.
He cross-grabs with both hands.
You are on your back.
Notes: Extract the geometric figures from the Universal Pattern that you can find in this technique.
Imagine a 9 Dimensional Universal Pattern, and see how you can expand this technique to the Gaseous State of Motion.
Note how you can check Height Zones, Width Zones, and Depth Zones throughout this technique.
Twirling Sacrifice (Rear: Full Nelson)
Name: In this technique it is your opponent who is being offered as a sacrifice when employing a twirling maneuver to slam him against the wall, thus the name Twirling Sacrifice.
Theme: This technique introduces you to grabbing, lifting, and twirling as special methods in countering your opponent. In this technique emphasis is again placed on countering and controlling your opponent by preventing him from obtaining a stabilized base. You then counterbalance your opponent by twirling him 360 degrees. This maneuver greatly increases the rotational momentum needed to maximize the effects of the slam into the wall. Like Taming the Mace, this technique is also an introduction to using your environment as an offense of weapon. Here again you not only slam your opponent into the wall, but you use it as a sandwiching effect.
Attack: In the Ideal Phase of this technique your opponent is applying a Full Nelson with his back to a wall.
What if: There is no wall nearby.
There is a post nearby.
Your opponent is too large to lift and twirl.
He forces you to your knees.
You are facing a wall.
Notes: List some of the factors that might influence you in selecting Scraping Hoof, Repeated Devastation, or Twirling Sacrifice.
List some of the environmental factors that you might use defensively or offensively when employing Twirling Sacrifice.
What are some of the possible inserts (compounding moves) for this technique?
Make a list of the principles for each move of this technique, and practice it keeping in mind that these principles are used to refine the theme of the technique.
Carefully study this technique from Three Points of View.
Squatting Sacrifice (Rear: Bear hugĀarms free)
Name: This technique is named because of the squatting action needed to commence the technique. Because of the evident sacrifice of principles which leaves you vulnerable the name Squatting Sacrifice emerged.
Theme: As the name of this technique indicates, the theme is the need for speed when squatting to initiate your sequence. Speed of action avoids the evident sacrifice of principles normally needed to elude vulnerability. The strength of your opponent prevents further lateral movement on your part. Thus the technique teaches you to seek other dimensional avenues of action. The second part of this technique introduces you to the Control Manipulation of an opponent who is on his back into the rear of you. Prior techniques, such as Spiraling Twig taught you the use of locks and twists to manipulate your opponent's wrist. Now apply that knowledge to your opponent's ankle. Once your opponent is on his back you learn how to correctly move from the inside of his body to the outside of his body. In all, this technique is a lesson in the application of Dimensional Stages of Action.
Attack: In the Ideal phase of this technique your opponent is to the rear applying a bear hug with your arms free. His right leg is slightly forward of his left.
What if: Chapter opponentĀs right leg is back.
Your arms are pinned.
There is a wall to your right flank.
Your arms are bound with rope.
Notes: Carefully examine the proper timing and usage of the squat and the pull to break the knee.
Utilize small circles when turning your opponent onto his stomach, when directing your force to your rear, manipulation of your opponent should be in Complete Harmony with the direction of your Body Momentum. Control Manipulation involves your hips as well as your hands.
Practice against a variety of bear hugs from the rear. Decide why you might select one technique sequence over that of another.
Move toward the Gaseous State of your art by developing solutions to the predicament of one opponent bear hugging from the rear and a second opponent attacking from the front or the flank.
Rich,
It was great chatting with you lastnight.
Very cool notes.....can't wait to teach these techniques with some of the above in mind.
Jamie Seabrook