Nyarlathotep
White Belt
- Joined
- Jun 3, 2007
- Messages
- 16
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I apologise in advance if this subject has already appeared in discussions, but I couldn't find any direct (or indirect for that matter) answer to this question through the search facility.
I've heard many many different interpretations about what was excluded from Yang Lu Chan's 'original' form and teaching to create the variation as practised by Yang Chen-Fu, or more accurately the Manchu's, and I was wondering where the truth lies.
Don't get me wrong, I'm no slouch, it's just that the more I look, the more confused I become as there are at least 3 different and contradictory styles practised under the name 'michuan' (most clearly the exact sort of rubbish that always gravitates towards any suggestion of the hidden or secret), so I thought I'd lay the question open before your collected knowledge, hoping that you can shine a light through this murk.
The actual forms aside, how did lu-chan doctor the art?
Did he (for instance) teach the structure of the form, but neglect to pass on the internal 'secret' aspects, rendering it pretty much worthless as anything but a purely external art?
Or conversely was the original more like cannonfist and he altered it by making it slower, smoother and less explosive?
Oh and Hello by the way
I've heard many many different interpretations about what was excluded from Yang Lu Chan's 'original' form and teaching to create the variation as practised by Yang Chen-Fu, or more accurately the Manchu's, and I was wondering where the truth lies.
Don't get me wrong, I'm no slouch, it's just that the more I look, the more confused I become as there are at least 3 different and contradictory styles practised under the name 'michuan' (most clearly the exact sort of rubbish that always gravitates towards any suggestion of the hidden or secret), so I thought I'd lay the question open before your collected knowledge, hoping that you can shine a light through this murk.
The actual forms aside, how did lu-chan doctor the art?
Did he (for instance) teach the structure of the form, but neglect to pass on the internal 'secret' aspects, rendering it pretty much worthless as anything but a purely external art?
Or conversely was the original more like cannonfist and he altered it by making it slower, smoother and less explosive?
Oh and Hello by the way