P
pekho
Guest
This may seem a little odd, but I want to know how other styles approach the concept of magic in silat. I know this is a complicated topic. Believers may not want to talk about it because it is dangerous and secret, and non-believers wont want to talk about it because it is BS. However I think there is room for discussion. Magic in silat relates to such important concepts as "tanaga dalem" (roughly inner power), which is clearly important in Indonesian arts. What is magic? I am not sure. That is one thing we can discuss. To me it has to do with the essence and spirit of a movement. It also has to do with things like the ability to influence people. This is seen best when a pendakar tells you to do something that you know is impossible, and then you do it. If the teacher says with enough conviction that you can dive over a table, you can dive over a table, even if you knew this was impossible for you. It can't change what is really impossible, but it can change what you think is impossible.
So here are my questions:
How can one approach the concept of magic when teaching in America?
Is it still silat if there is no magic?
How do you think the ill-defined word "magic" relates to other esoteric ideas like "chi" and "essence"?
Magic in Indonesia often seems like a combination between real techniques and BS. Is it possible to separate the two, and if so how?
I am particularly interested in what people who are either living in, or are from Indonesia have to say on this topic.
Josh
So here are my questions:
How can one approach the concept of magic when teaching in America?
Is it still silat if there is no magic?
How do you think the ill-defined word "magic" relates to other esoteric ideas like "chi" and "essence"?
Magic in Indonesia often seems like a combination between real techniques and BS. Is it possible to separate the two, and if so how?
I am particularly interested in what people who are either living in, or are from Indonesia have to say on this topic.
Josh