Actually Don, Ben and everyone else, based on his post over on E-Budo I think that Kuosho is really not interested in our opinions and was possibly just trolling here to get us going.
http://www.e-budo.com/forum/showthread.php?t=31690
Thanks, Brian. This reveals a lot and shows me that I really need spend little time trying to argue with Mr. Zelios. I will address three things that he said to me, though.
bencole said:
I don't see why people are going crazy over a guy who speaks/reads no Japanese who spent about a year in Japan
kuoshu said:
It’s interesting to note that not so long ago, you were PRAISING Kostas as being someone who “still has all of his old materials and some really great stories”. His opinion was good enough for you when you used it to discredit SKH, so why are you suddenly trying to trivialise his experiences? Now let’s get back the koryu thing.
I do appreciate Chuck's attempts to appropriate my praise of his understanding of the FEELING of training as vindication that he knows what he is talking about in terms of historical authenticity, but his sieve simply don't hold water.
For the record, I think Chuck had very good movement when he was in the Bujinkan (based on videos that I've seen of him), and I think that he understood well the "feeling" of what Hatsumi-sensei has *ALWAYS* been teaching (despite attempts by Hayes, McCarthy, Roy and others to try to tell everyone that "training was different"). It is clear that if one was paying attention and training properly "back in the day," one could get the essence of the movement that Hatsumi-sensei was trying to impart. Chuck *HAD* that essence, in my personal opinion, and I've stated this publicly before.
Even if one has good movement or an understanding of feeling IN NO WAY MEANS that one also has a handle on history, legitimacy, etc. These are completely different skillsets--CHUCK (and his teacher Charles, whom Chuck quotes as a source) *NEVER* HAD THAT SKILLSET, PERIOD. Innumerable others lack that skillset as well. That's not "insulting" or "patronizing"; it's simple fact.
Just because Chuck never saw anything in Japan to resolve his questions does not mean that he would recognize what he was seeing in the first place or that he knew where to look. Chuck didn't read Japanese, didn't spend his weekend hidden in the National Library searching for obscure sources (like Don Roley has done), and so on.
It's a long stretch to say that having a knack for movement means having the skills necessary to dig for historical information. The skills are simply different.
Now, I like Chuck. Always have. We've had some very good conversations over the years.
But one needs to ask why someone who has been gone for over a decade now suddenly feels the need to start howling about the Bujinkan again. If one leaves, leave. Move on. Do what you wish. Create your own art. Climb a mountain. Plant a tree. But get in a debate with members of your former art about authenticity? To what end? To justify the reasons for your leaving? To bring everyone over to your side of the argument and have them leave for the same reason? It ain't gonna happen.
This reasoning makes me question why YOU particularly are here, Paul. You've made it clear that you left the Bujinkan for one reason or another. Why are you here, debating people? What's your goal? To be proved right? Do you enjoy the rush of debate? What is it? It behooves me why you and Chuck both waste your time with people training in an art that you left because you thought was suspect....
bencole said:
As for the "ninjutsu arts" under the Bujinkan umbrella, I personally told Dr. Friday (on E-Budo) that I would facilitate an opportunity for him to view Hatsumi-sensei's documents and speak with Hatsumi-sensei. Dr. Friday declined this request. Why? Because, TOGETHER NOW, "he has no interest in ninjutsu arts, and thus has little knowledge to make an assessment." End of story.
kuoshu said:
Did you offer to pay for his flight and travel expenses too? Why should the burden be on him to come to Japan from Georgia to investigate something that he probably thought was false to start with?
My, my. Aren't we demanding? If the guy is a historian of Japanese budo and studies a Koryu, one would HOPE that he OCCASIONALLY goes to Japan. If he is unwilling to spend $30 on train fare during one of these trips in order to "resolve his issues with ninjutsu," then that's his choice. I needn't pay for his trip in order to facilitate his viewing of the documents of interest. Sorry, Paul. You make it sound like I demanded that he fly out that week to resolve things to my satisfaction.
I was merely trying to facilitate accessing information to resolve his uncertainty on the subject; Dr. Friday demurred. One would think that a scholar of Budo would jump at the chance to see rarely viewed materials; for all he knows, they *COULD BE* authentic!!! Alas, Dr. Friday said that he wasn't interested in the subject matter. End of story.
Kuden means "oral transmission" yes, but it's NOT the opposite of Koryu, as you are using the word.
Did I ever say Kuden and Koryu were opposite? Did I ever say that a Koryu art does not contain Kuden? Nope. In fact, as you pointed out, many Koryu contain Kuden.
Quoting Wayne Muromoto to me doesn't change the fact that to be classified as a "Koryu" art, the art has to meet certain conditions, but that failure to meet those conditions in no way "taints" or "delegitimizes" the art. That has been the point of both Sean Askew, Luke Molitor, myself and others over the years. (Some Venn diagrams of partially overlapping ovals could help you and others to see what we've been saying.)
I hope this resolves your concerns. I look forward to hearing your reasons for being here, debating with people in an art that you found suspect.
All the best,
-ben