hoshin1600
Senior Master
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- May 16, 2014
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I agree with most of what you said, I just have a slight different take on it. Is okinawan Sanchin a combination of a few styles? It's a good possibility however Kanbun stated many times that he did not change anything from the way he was taught. He was adamant about passing on the art exactly the way he was taught. Now if I combine that fact with the fact that two other arts from a different source look dam near identical, I would have to say the mash up would be from the Chinese not the Okinawans.I should have been more clear. Possible "influence", not source. There are NO kung fu styles in existence today that match Okinawan karate. NONE, there have been several trips to China and no one has come up with any katas/forms that match as a direct translation. This is why it is felt that whatever Higaonna and Uechi learned was a combination of things and no set style.
In regards to Sanchin, it used to be used as a floor exercise. It didn't matter if you started on the left or the right side and you would just continue to walk up the floor, turn and go back the other way. Both Higaonna and Uechi taught it very similar from how it is described in sources. Miyagi did close the fists and changed the breathing pattern in the kata. Also, Miyagi removed the turns and added the backwards steps because there wasn't the opportunity for students to practice moving backwards, but plenty of turn in other kata.
I am not sure what you mean by the elaborate ending in the Ngo Cho Kuen Sanchin. Just having the elbow strikes and punches?
When I eluded to "elaborated ending" I am referring to the differences between the Okinawan sanchin and the multiple versions of Chinese sanchin forms. All three okinawan versions do single arm thrusts, 3 double arm thrusts and Tora guchi. While most Chinese forms don't stop there. Usually there are more blocks, strikes and other moves that I have no idea what they are..lol... then end with the Tora guchi. These extra moves tend to be done with less dynamic tension and at a different tempo. And I find it interesting that every different school has different moves but maintain the foundation of the double thrust strikes.
As far as Miyagi doing backward stepping, yeah the official story is the he invented the backward stepping in order to have students develop those muscles ...yatta yatta yatta. But since it is almost universal within the Chinese versions I think it's more like he saw it while in China and decided to adopt the practice. He could have also learned it from Kanryo but then one would have to ask, why he didn't teach it sooner. This is just my take on it and I'm open to new interpretations if the facts lead in that direction.