I think I know what you're talking about here, but since we're talking about smaller movement, I'm wondering if there is any video demonstration of this? I'm pretty sure we have a technique for what you're describing and would love to solidify that notion. It is a favorite amongst LEO clients.
Had a quick search (my lord, there's some questionable material out there...), but didn't find any that I really liked. Some close(ish), but that's about it.
Out of interest, were you referring to the control or the initial escape? I looked for clips of both, but can add to the description if that'd help.
Sorry sir, I cannot agree. I had not practiced that escape of the left hand, but it will work. You are not attacking against the strength, but the weakness. Grasp someone tightly and let them apply that escape by moving the hand down, out, and back over. Few people develop strength there.
The initial escape has Chuck bringing his left hand across to the right.. which is within (inside) the arc of his opponents' right arm, allowing the opponent to follow the movement, which means it needs to be taken further, and needs more muscle to be high return. You may want to try again, but have your partner try to follow your movement in order to maintain the grip. Let them walk with it as well, not just stand there letting their arm get pulled out to the side and you'll see what I mean. The strength (that is causing the problem for the escape) isn't really in the hand/grip, but more in the shoulder/arm, as well the fact that the body is completely behind the grip for the entire time.
There are a range of things that can be done to limit the issues, including taking the hand up towards your right shoulder with a smaller step to limit the amount of space the opponent gets to follow the action, or bringing up your hand to the outside of the attackers wrist (from beneath), or coming over the top then pushing down... these are all better escapes for the left hand (to go for the wrist/arm lock, I'd be lifting my left hand to my right shoulder, ensuring to turn my hand, then lifting my elbow for a higher return escape to get into the right position for the second part).
I agree that I at least, would be less inclined to try to use the pressure point, if that is what the OP is suggesting, but more what shesulsa talked about. It is the way I was taught. However, I don't understand the rest of what you are saying. By moving the opponent's right arm to his left, you are closer to grabbing and locking than the opponent is to cocking and striking.
Uh, no, I'm still talking about the left hand release... haven't got up to the control yet. But for the record, no, the pressure point bit is rather pointless. You'd be better off rolling (turning) their wrist first, starting the loosening of the grip, which will enable the wrist control pretty easily.
If you mean a step at the end of the lock I agree. He cautions against allowing that to happen. As I was taught, we would place his arm in our armpit and bar him down, allowing him no movement. However, I don't think at that point it makes a lot of difference. By then he should only have one useful arm, as you should have sprained or broken his wrist with the lock.
Nope, still talking about the escape with the left hand to begin with... and the step I'm talking about is by the opponent, following the movement of your left hand to your right (their left), meaning that their arm isn't extended enough to create enough pressure to force their grip open (the weak point of the grip between the thumb and forefinger that I was discussing), and the entire thing fails.
And actually, a small step towards the opponent when applying the lock can increase it with minimalist effort, so Chuck cautioning against it is, again, not really the best advice or technical understanding. Mind you, I didn't see him give such a caution, rather he just indicates that his other leg stays back. I've got some issues with the control, and the angle of his step in (it could be much stronger with less effort), but that's kinda by the by now.
I think we are talking about the same thing, just describing it differently?
Yeah, at this point I'm talking about the control, and your concept of "under the armpit" is part of what I'm talking about. So yep, with the lock, same thing, different words.
There is truth in the above. You have to start with simpler things, and learn them well, so the more 'complicated' things don't seem so much that way. You also build up muscle strength for those moves with practice.
I don't know so much about muscle strength... but the rest, yep.
Not trying to be confrontational, just explaining what I have found works for me, with proper training.
Ha, it wasn't taken as confrontational at all. I like the opportunity to clarify what I was talking about.
Getting away from the actual technique, I just want to say that the production value of these little videos is terrific. You follow the trainer's number one rule: tell them what you're going to tell them. Tell them. And then tell them what you told them. You're relaxed in front of the camera. There's a little humor. And you use multiple camera angles to keep things simple and clear, which presuming you're using a single camera means recording it film style and doing some editing, which most youtube "experts" can't or won't do. The set is nice and clean. Your audio is pretty good too, and although the stick or boom mic that you're using gets a little hollow at points it's not distracting.
While I don't really have a comment one way or the other about the actual content, for a youtube video series, this is definitely a cut above what I'm used to seeing.
Agreed! As I said, I think Chuck is great in front of the camera, he has plenty of charisma, can handle himself, knows how to direct his focus towards the lens, and so on, the quality of the equipment being used comes through quite well, I just think that there can be better technical methods shown and taught.