SIMONCURRAN said:
Hi everyone,
Please don't mis-understand me, I mean no offense, but just out of curiosity I have to ask why there is such importance attatched to breaking boards in your system?
Once again, apologies in advance if I have inadvertantly offended anyone, that is not my intention, I really just want to know because I don't quite understand it.:asian:
In my art, kyok pa is my least favorite aspect. I understand that it is an exercise in focus and power and I can see the benefit in that respect. Also, from a metaphorical standpoint, since we do our breaking at the end of all of our tests, breaking symbolizes
breaking through to the next level.
My problems with breaking are these...
1. Most breaks are done against stationary targets...even the most flashy and complex ones. I see my art as fluid and instinctual so this is kind of counter productive to what I want out of MA training.
2. Breaking is showmanship. Years ago, schools did breaking to demonstrate speed and power in order to basically "show off." I am more low key, type b, if you know what I mean.
3. Breaking at high ranks is extremely difficult. There is nothing wrong with challenge, don't get me wrong, but breaking at upper ranks requires some of the flashiest most difficult techniques in our art. For instance, I will train hard for at least a year and a half to accomplish my third dan breaks. It takes a lot of time from other things in my art that I feel are more important.
As an alternative, I would prefer to do simple breaks with simple techniques that have little or no preperation. It would be neat to just turn on the lights and see a room with stations and imediately have to attack. Or maybe remove a blindfold and then go. Somehow adding an instinctual element would be a good thing in my opinion.
upnorthkyosa