Kembudo-Kai Kempoka
Senior Master
Attached to the 3RD STATE OF MOTION -- GASEOUS -- are aspects of movement that lead to TEMPORAL VARIANTS. These temporal variants might be best understood in language metaphor contexts, as decreasing the space between vowels or consonants. They are reductions in time, accomplished by altering and alternating rhythmic execution.
The "Five C's" are things we can do to movement in the gaseous state of execution that cause that movement to occur in shortened time frames, in tighter or larger spaces, with shorter or bigger circles, lines, semi-circles, or orbital elipses which have been elongated or reduced.
Compound
Contract
Condense
Consolidate
Conjugate
How are they similar and different? When would one be desirable over another? When might one be undesirable over another? How do the moves in a sequence chain together differently when under the influence of one or more of the Five C's? (i.e., how might Parting Wings. Five Swords, Hooking Wings, or Thundering Hammers look different during gaseous execution under the influence of CONTRACTION alone? What about under the influence of CONTRACTION and CONJUGATION at the same time?)
FYI -- "the Five C's", "Circles of Confluence/Confluence of Circles", "Escalator Parking Spaces", "Chaining", and "Path of the Arc/Arc of the Path" are among some key core concepts that were being explored with Mr. P. prior to his passing, and relate to how Mr. Parker represented his own movement in his mind during it's execution. If you ever wanted a peek inside his head to see what was going on in his thoughts while he was moving or thinking about his own movement, here's a head start.
Talk amongst yourselves.
Dave Crouch, DC, AP
Perpetual Student of Mr. Parkers Kenpo
The "Five C's" are things we can do to movement in the gaseous state of execution that cause that movement to occur in shortened time frames, in tighter or larger spaces, with shorter or bigger circles, lines, semi-circles, or orbital elipses which have been elongated or reduced.
Compound
Contract
Condense
Consolidate
Conjugate
How are they similar and different? When would one be desirable over another? When might one be undesirable over another? How do the moves in a sequence chain together differently when under the influence of one or more of the Five C's? (i.e., how might Parting Wings. Five Swords, Hooking Wings, or Thundering Hammers look different during gaseous execution under the influence of CONTRACTION alone? What about under the influence of CONTRACTION and CONJUGATION at the same time?)
FYI -- "the Five C's", "Circles of Confluence/Confluence of Circles", "Escalator Parking Spaces", "Chaining", and "Path of the Arc/Arc of the Path" are among some key core concepts that were being explored with Mr. P. prior to his passing, and relate to how Mr. Parker represented his own movement in his mind during it's execution. If you ever wanted a peek inside his head to see what was going on in his thoughts while he was moving or thinking about his own movement, here's a head start.
Talk amongst yourselves.
Dave Crouch, DC, AP
Perpetual Student of Mr. Parkers Kenpo