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If you're doing any of the IMA (especially if you're beginning) and are looking for "Pahh" at the end of various movements, you're probably doing them wrong (and you don't "need" it, you like it). Relaxation and learning to trust the natural power of the body structure and whole body movement are essential to the IMAs. If there is a lot of satisfying hitting at the outset, something is wrong. I have a Karate background as well and I have to let go of a lot of a lot of ideas about movement and power generation. Most of us do.Im sooo new to Bagua perhaps i shouldnt comment but, I would much rather walk the circle with the eight postures countless times then go on to the form.
You know, i put Tai Chi chuan in the "too hard basket" lol becouse i could not be still and move slowly. I need a fa-jing "Pahh" at the end of various movements lol, maybe its the Karate background .
Nevertheless, great post Xue Sheng.
I'm one of those guys who believes that Zhan Zhuang can enhance the performance of any martial artist.
Zhan Zhuang may be absent from some schools because a) they never tried it, b) it's difficult and boring or c) it doesn't attract students, who (to be fair) are the life blood of a school.
My sifu teaches and practices Zhan Zhuang, but when I ask him about doing it myself and what role it should take in my personal practice, he tells me he actually prefers circle walking and recommends I spend more time doing that than ZZ. But then he also refers to some of his peers that he trained with who really like ZZ (though they are mainly Taiji people). FWIW.
My sifu teaches and practices Zhan Zhuang, but when I ask him about doing it myself and what role it should take in my personal practice, he tells me he actually prefers circle walking and recommends I spend more time doing that than ZZ. But then he also refers to some of his peers that he trained with who really like ZZ (though they are mainly Taiji people). FWIW.
My sifu teaches an entire Bagua ZZ set, but he doesn't emphasize it at all.Bagua may or may not have any standing practice at all. I have talked to Bagua guys that do none and teh emphasis is on circle walking and I have talked with bagua guys that put a lot of emphasis on Standing postures.
My sifu seems to think the answer to this is no. Regardless of whether it is a good practice or not, he just seems to think it doesn't line up with the best of what we know about Bagua history and development.I am however wondering if prior to the Bagua/Xingyi/Taiji alliance thing (if you will) that occurec in China, around the time of Li Cunyi, did bagua have any standing practices at all or did they have all that many?
I love the feel of doing Bagua, Xingyi is a little more natural for me, but it doesn't have the same dynamic feel to me that Bagua does, though have to say I love both. I'm working on Santi, and like it, but circle walking is just so much more dynamic to me.....right now, who knows down the road.Interesting. If I had the time, I'd do both ZZ and circle walking, since I liked circle walking -- just never got that far with it. I felt sooo dyslexic doing Bagua, so I quit. For now, anyway.
I suppose that if I did Bagua, I'd do more circle walking. But I do Yiquan ... there you go.
Interesting. If I had the time, I'd do both ZZ and circle walking, since I liked circle walking -- just never got that far with it. I felt sooo dyslexic doing Bagua, so I quit. For now, anyway.
I suppose that if I did Bagua, I'd do more circle walking. But I do Yiquan ... there you go.
My sifu teaches an entire Bagua ZZ set, but he doesn't emphasize it at all.
My sifu seems to think the answer to this is no. Regardless of whether it is a good practice or not, he just seems to think it doesn't line up with the best of what we know about Bagua history and development.