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Beautiful form, and when down with some of the concepts Professor Chow intended for it (which is, sadly, rarely seen these days), extremely effective! My favorite section would have to be the opening sequences, tiger claw (obscuring), cannon punch (to get opponent to lean into the next strike), backfist (to hit opponent of the centerline), groin hammerfist to knock them back ON the centerline, double punchs to the ribs ("Professor Chow Special!"), another cannon punch, and a follow up tiger claw for good measure. Just awesome!
Oddly enough, I was discussing this with Rebelo Sensei today. Recently, things have come to light where it seems that Professor Cerio added the entire opening section of the form, including the Kosho Ryu breathing exercise and the fast flurry of strikes and double tiger claw rear guard position (as Master Chun II doesn't perform them in his father's version). As far as what I call the professor Chow special, I doubt Villari put that in, due to the fact he never trained with Chow, again, probably prof. cerio. Sadly, we may never know... For those who don't know what the Professor Chow special is, he loved to hit an area of the body, usually the ribs, twice in a row. the first strike would bend the ribs to their breaking point, and the second strike, with the ribs already poised on the point of snapping, would simply demolish them. Rebelo Sensei, a few years ago, when I was relearning Han Suki, actually demonstrated this on me (with the utmost care) and I can easily say I have NEVER felt my ribs move like that before. I love this for, in particular, because it is one of the only links we, in New England Kempo, have back to Master Chun, and for that reason, I will always treasure it.
Hi Folks!Shaun,
Hey just doing some quick readings while im out here in Japan and you talk about Prof. Chow but then make a reference to moves that were never in the original form? I like the opening hand sequence too, but who added them in? Was it Villari?
In Peace
Jesse
Hi Folks!hi,
for me the strikes are . left hand cross hand shuto to face followed by a right back 2 knuckle to mid section, then a back fist to head area and a left rev hammer strike to mid section, then a right and left front 2 knuckle punch to the chest area followed by a right back 2 knuckle punch
follwed by a left tiger claw and a right tigers claw and press out...
I think I was told G M Cerio had a lot to do with this form????
steve
Hi Folks!Sometimes discussions about the origins of a form will oversghadow discussions about what you can learn from the form. I note that most of this form has short in close rapid sequence hand striking often working up and down the body. Does anyone consider this an expression of a fighting style to be learned from the form?
Respectfully,
Marlon
Hello All,
The breathing at the beginning of the form was taught to me as a 3 day preparation for war.
Monk wakes up in the morning & develops chi. (Pinan 1 salutaion, Dragon breathes fire)
The sun rises, the sun sets (hands coming together than dropping down)
The moon rises, the moon sets (rising front position upside down, than double downward pressing palms)
Monk becomes humble (Praying hands, bow)
Monk wakes up develops chi Day 2 (Pinan 1 salutaion, Dragon breathes fire)
Monk plants or harvests (Open hand front position toward the ground)
Monk prepares for war (Front position coming up then going away twice)
Monk wakes up in the morning & develops chi. (Pinan 1 salutaion, Dragon breathes fire)
War - the beginning of Hansuki
In the beginning you start off very slow & build your energy at the end you reverse this.
Anyone have other interpretations of the beginning or end?
If four seasons meeting is the same as our Monk Prepares for war then you have it exactly as I do.
Is Scott Mathenie still the CI at that studio?
Hello All,
The breathing at the beginning of the form was taught to me as a 3 day preparation for war.
Monk wakes up in the morning & develops chi. (Pinan 1 salutaion, Dragon breathes fire)
The sun rises, the sun sets (hands coming together than dropping down)
The moon rises, the moon sets (rising front position upside down, than double downward pressing palms)
Monk becomes humble (Praying hands, bow)
Monk wakes up develops chi Day 2 (Pinan 1 salutaion, Dragon breathes fire)
Monk plants or harvests (Open hand front position toward the ground)
Monk prepares for war (Front position coming up then going away twice)
Monk wakes up in the morning & develops chi. (Pinan 1 salutaion, Dragon breathes fire)
War - the beginning of Hansuki
In the beginning you start off very slow & build your energy at the end you reverse this.
Anyone have other interpretations of the beginning or end?
I know the version taught in Irvine 1:
Bow.
Dragon Breathes Fire.
Rising Sun.
Setting Sun.
Rising Moon.
Setting Moon.
Praying Monk.
Humble Monk.
Dragon Breathes Fire.
Four Seasons meet.
Dragon Breathes Fire.
Closing:
Dragon Breathes Fire.
Four Seasons Meet.
Humble Monk
Praying Monk.
Setting Moon.
Rising Moon.
Setting Sun.
Bow.