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Agree here I think cropping would've helped the pic as well... difficult to do with this type of portrait. Wanting to show the pants (thus the need for a neutral back ground so not to clash) which are likely part of the model's personal wardrobe and personality but not cutting them off so much that she looks somewhat stunted. If it's ok with you Bob, I'll copy the pic and play with cropping on my own photo editor (Gimp) and post it here... :idunno: maybe I'll just mess it up or find something that makes me go Ah!In the mostly full length shot of the girl with red hair... the blue pants kind of don't quite blend/don't quite clash enough with the background, in my opinion. Great pic, nice pose... but the legs kind of get lost.
Of the three I liked this one best and I can see the intent to use the trees to frame the model and I do like it but think also using ONE tree on either side would've created a different (if not better image). Overall that is my fav of the three.I agree the pants should be changed, maybe red or black would work better.
And the woman standing between the 2 trees would probably look better asthetically if she were just surrounded by greenery.
This was her first shoot ever, so she was a bit nervous and we hadn't had a chance to do my normal pre-shoot chat. I'd expected better lighting and ended up with heavy clouds creating very flat lighting. Towards the end of the shoot we ended up dealing with an army of mosquitoes, so wrapped early. The seated shot was early on, the 2 prone at the end of the shoot when my flash started to not cycle (note, always check you packed the spare batteries).I like the bottom one best... but neither pose is your best, and given the ones with the same model and the tree, you can do better. Were these maybe feeling out shots early in the session? They just feel very run-of-the-mill, routine poses... Almost yearbook/portfolio posing. And you often do a great job of actually connecting with the models, and bringing personality through the lens...
I can see why... Though the "tree hugger" shot is good, too!side note: the peek a boo shot is my and her favorite from this shoot. I think it's the best of the 60 shots in the series.
And you often do a great job of actually connecting with the models, and bringing personality through the lens...
Combination of raw, tweaks on initial load, custom PS actions and scripting, and lots of close up tweaking (healing brush, dodge, burn and sharpen)
Camera on all 4 shots was the Canon 50D, lens the 18-200 IS, F5.6 iso 200, shutter 250